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READING/AUDITION DATES FOR 'THE CAGE PROTECTS ME' PREMIERE - now with new dates in the Main House

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https://lofttheatrecompany.com/wp-content/uploads/2023/01/logo_23.png 0 0 Mick Stallard https://lofttheatrecompany.com/wp-content/uploads/2023/01/logo_23.png Mick Stallard2025-05-12 12:52:052025-05-12 13:02:03READING/AUDITION DATES FOR ‘THE CAGE PROTECTS ME’ PREMIERE – now with new dates in the Main House

DANCING AT LUGHNASA NEW PERFORMANCE DATES 3 - 13 DECEMBER 2025

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https://lofttheatrecompany.com/wp-content/uploads/2023/01/logo_23.png 0 0 Mick Stallard https://lofttheatrecompany.com/wp-content/uploads/2023/01/logo_23.png Mick Stallard2025-05-12 12:51:352025-05-12 12:51:35DANCING AT LUGHNASA NEW PERFORMANCE DATES 3 – 13 DECEMBER 2025

"An astute, professional, and beautifully acted production that further solidifies the Loft Theatre’s reputation for excellence." Choppa.com

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https://lofttheatrecompany.com/wp-content/uploads/2023/01/logo_23.png 0 0 Mick Stallard https://lofttheatrecompany.com/wp-content/uploads/2023/01/logo_23.png Mick Stallard2025-05-08 10:29:592025-05-09 11:26:17“An astute, professional, and beautifully acted production that further solidifies the Loft Theatre’s reputation for excellence.” Choppa.com

“An intense family drama, laced beautifully with physical theatre” (by Dan Walsh) Roe’s reviews

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https://lofttheatrecompany.com/wp-content/uploads/2023/01/logo_23.png 0 0 Mick Stallard https://lofttheatrecompany.com/wp-content/uploads/2023/01/logo_23.png Mick Stallard2025-05-08 10:14:152025-05-12 11:19:35“An intense family drama, laced beautifully with physical theatre” (by Dan Walsh) Roe’s reviews

“Things I Know To Be True” This is a production which succeeds on every level.

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https://lofttheatrecompany.com/wp-content/uploads/2023/01/logo_23.png 0 0 Mick Stallard https://lofttheatrecompany.com/wp-content/uploads/2023/01/logo_23.png Mick Stallard2025-05-08 10:12:232025-05-12 11:18:11“Things I Know To Be True” This is a production which succeeds on every level.

“ What makes this play special is its use of Frantic Assembly's distinctive physical expression, “ Leamington Nub News

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https://lofttheatrecompany.com/wp-content/uploads/2023/01/logo_23.png 0 0 Mick Stallard https://lofttheatrecompany.com/wp-content/uploads/2023/01/logo_23.png Mick Stallard2025-05-08 10:10:192025-05-12 11:18:36“ What makes this play special is its use of Frantic Assembly’s distinctive physical expression, “ Leamington Nub News

“…the tender, intelligent script, the sheer force of the acting and the brilliant direction by Lynda Lewis.” Warwickshire World

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https://lofttheatrecompany.com/wp-content/uploads/2023/01/logo_23.png 0 0 Mick Stallard https://lofttheatrecompany.com/wp-content/uploads/2023/01/logo_23.png Mick Stallard2025-05-08 10:09:072025-05-12 11:18:58“…the tender, intelligent script, the sheer force of the acting and the brilliant direction by Lynda Lewis.” Warwickshire World

READ THE LATEST ARTISTIC NEWS FROM THE LOFT'S AD

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NEW PRODUCTIONS FOR THE AUTUMN IN MAIN HOUSE AND A PREMIERE IN THE STUDIO

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Read Lynda Lewis' director's notes for Things I Know To Be True"

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The Trial of Queen Caroline

Devised and directed by David Fletcher

In 1820, following the death of George III, Caroline of Brunswick, the estranged wife of the Prince Regent – now King George IV – returned to Britain from her continental exile, despite attempts to bribe her to stay away. The new king pressured the government to bring her to trial on a Bill of Pains and Penalties, in an attempt to deny her the status of Queen Consort.  She became a cause célèbre for popular radicalism, especially in London, fuelling opposition to the much-derided George IV. This performance aims to situate the events and to convey some of the evidence informing the drama that unfolded in the House of Lords, as the government of the day sought to follow the king’s instructions to them.

The play was produced by the Loft Theatre in collaboration with the University of Warwick History Department. The director wishes to thank Professor Mark Philp for his inspiration and advice throughout the project. The play was first performed at the Warwick Words History Festival in November 2019, with costumes by Helen Brady and with Glynis Fletcher in the non-speaking role of Queen Caroline.

LoftTheatre · The Trial of Queen Caroline
In association with:

The cast (in order of speaking)

Narrator – Sue Moore

Earl of Liverpool – Bryan Ferriman

Earl Grey – Paul Atkins

Henry Brougham – Robert Lowe

Sir John Copley – Mark Roberts

Teodoro Majoochi – Craig Shelton

Louisa Demont – Hannah Brown

Lord Erskine – Jeremy Heynes

This recording was produced by Jonathan Fletcher

 If you have enjoyed this recording, please make a donation to the Loft Theatre:

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